At first glance, the 1000X THE COLLEXION makes a strong impression. The combination of polished metal surfaces, soft synthetic leather, and elegant detailing gives them a distinctly high-end feel. These are headphones designed to look every bit as luxurious as they sound.

A New Take on Sony's Signature Sound

At the heart of the 1000X THE COLLEXION is a newly developed 30mm driver that has been carefully tuned for balance, detail, and musicality. Sony says the goal was not simply to create powerful bass or sparkling treble, but to deliver a more natural and engaging listening experience across all genres.

The result is a presentation that feels spacious and refined. Vocals are placed clearly within the soundstage, instruments have room to breathe, and subtle details emerge from recordings with impressive clarity. Whether you're listening to acoustic jazz, electronic music, or large orchestral works, the headphones strive to reveal more of the recording's character.

Support for Hi-Res Audio, LDAC, and Sony's DSEE Ultimate processing ensures that both high-resolution files and compressed streaming content receive the best possible treatment.

Dedicated Listening Modes for Every Occasion

One of the more interesting additions is Sony's 360 Upmix technology. Instead of offering a one-size-fits-all approach, Sony provides three dedicated sound modes tailored specifically for music, movies, and gaming.

Music mode focuses on creating a wider and more immersive presentation for stereo recordings. Cinema mode adds greater depth and atmosphere for films and TV shows, while Game mode emphasizes positional cues and environmental effects, helping players feel more connected to the action.

Switching between modes is simple and can be done directly from the headphones without needing to open the companion app.

Noise Cancellation That Continues to Set the Standard

Sony's reputation in active noise cancellation is well established, and the 1000X THE COLLEXION builds upon that legacy with an impressive technical package.

The new HD Noise Cancelling Processor QN3 works alongside twelve microphones positioned throughout the headphones to constantly analyze your surroundings. Whether you're working in a busy office, commuting on public transport, or sitting on a long-haul flight, the system continuously adapts to reduce unwanted noise.

The Adaptive NC Optimizer automatically adjusts the level of cancellation based on your environment, while Auto Ambient Sound Mode intelligently allows important external sounds to pass through when necessary. A Quick Attention feature also lets you instantly hear conversations or announcements without removing the headphones.

Comfort Designed for Long Listening Sessions

Premium sound means little if the headphones become uncomfortable after an hour, and Sony appears to have paid close attention to ergonomics.

Large ear cups, generous padding, and a wide headband help distribute weight evenly, making the 1000X THE COLLEXION suitable for extended listening sessions. Whether you're working from home, travelling, gaming, or simply relaxing with your favorite album, comfort remains a key focus.

A compact carrying case with a magnetic closure is included, making it easy to transport the headphones safely between listening sessions.

Crystal-Clear Calls Thanks to AI Technology

Call quality has become increasingly important for modern wireless headphones, and Sony addresses this with six AI-enhanced beamforming microphones.

The system focuses on isolating your voice while reducing surrounding noise, helping conversations remain clear even in busy environments. Users can also quickly mute or activate the microphone directly from the headphones when needed.

Long Battery Life and Modern Connectivity

Battery performance remains impressive, offering up to 24 hours of playback with active noise cancellation enabled and as much as 32 hours without ANC.

For those moments when time is short, a quick five-minute charge can provide up to 90 minutes of listening time.

Connectivity is equally comprehensive, with Bluetooth 6.0, LE Audio, multipoint pairing, Google Fast Pair, and Microsoft Swift Pair all supported. Users can connect to multiple devices and switch seamlessly between smartphones, tablets, and computers.

A New Flagship for Wireless Listening?

The Sony 1000X THE COLLEXION is clearly aimed at listeners who want the best Sony has to offer in a wireless over-ear design. With luxurious materials, class-leading noise cancellation, sophisticated sound processing, and an emphasis on musical refinement, it positions itself as a serious contender in the premium headphone category.

For music lovers seeking a combination of comfort, technology, and audiophile-inspired performance, Sony's latest flagship could be one of the most compelling wireless headphone releases of the year.

The Vertere Acoustics Phono-1 phono preamplifier has been updated several times over the past nine years, and the new LX version is hailed by the manufacturer as the most significant evolution of the platform. Vertere notes that the original model received the MkII update in 2019, followed by the Phono-1 MkII L in 2022, and now the Phono-1 LX continues its development.

In creating this new product, the company leveraged the expertise of its flagship Calon phono preamplifier, a dual-mono design unveiled at the 2024 High End Munich exhibition. Thus, the Phono-1 LX is positioned not as a completely new product, but rather as a thoroughly redesigned version of an already proven design.

The previous version of the Phono-1 MkII L featured a gold-plated L-shaped printed circuit board, a redesigned internal layout, and easier access to the DIP switches. It also retained the extensive tuning options for both MM and MC cartridges: ten gain settings, fifteen input impedance settings, and nine capacitance settings.

The Vertere Acoustics Phono-1 LX phono preamplifier has further refined this foundation. The new product features an improved printed circuit board, a redesigned internal DC power supply, improved AC input filtering, a new two-position ground lift switch, a redesigned case and cover, and the signature blue-green power LED.

According to Vertere Acoustics, the new printed circuit board features a higher-quality gold plating, which should ensure more stable solder joints across the entire surface. The redesigned DC power supply, in turn, is designed to deliver cleaner and more stable power to the circuitry. This is especially important for the phono preamplifier, as the signal from the cartridge is extremely weak, meaning noise, grounding, and power supply stability directly impact the final sound.

Particular attention was paid to noise filtering. A dedicated choke is installed at the AC input to block high-frequency interference before the signal reaches the circuit. An additional choke is located after the transformer and provides another stage of filtering before power is supplied to the DC circuits. The grounding system has also been simplified: a new two-position switch allows you to choose between ground lift and ground connection, depending on the specific audio system.

The Vertere Acoustics Phono-1 LX phono preamplifier remains a recognizable member of the Phono-1 family, but features a more refined finish. The new cover features a subtle silver metallic texture, and the removal of the four top mounting screws creates a more refined appearance. The manufacturer claims a darker background, expanded dynamics, a more precise soundstage, and a more natural vocal reproduction.

Price:  $2,000

There are headphones that impress with measurements, and then there are headphones that make you forget about measurements altogether. The new Sendy Audio Egret belongs firmly in the second category.

As soon as I opened the box, it became clear that Sendy Audio had ambitious plans for this model. With handcrafted walnut ear cups, enormous planar magnetic drivers, a premium balanced cable, and a design inspired by the graceful wings of a heron, the Egret arrives looking and feeling far more expensive than its price suggests.

At around $800, the competition is fierce. Brands like FiiO, HiFiMAN, and Audeze dominate the conversation in this segment. Yet after spending considerable time with the Egret, I understand why these headphones have already developed a loyal following.

The Egret isn't trying to be the most analytical headphone on the market. Instead, it focuses on something many audiophiles eventually realize is far more important: musical enjoyment.

Premium Packaging Done Right

Sendy Audio clearly wanted the unboxing experience to feel special.

Inside the large presentation box you'll find a surprisingly generous accessory package. A sturdy carrying case, balanced 4.4mm cable, 4.4mm-to-3.5mm adapter, and a 6.3mm adapter are all included.

The cable deserves particular praise. Too often manufacturers include a balanced cable but forget that many listeners still use traditional outputs. Here, Sendy Audio provides everything needed from day one.

The stock cable itself is impressive. It feels luxurious, remains flexible during use, and avoids the stiffness often associated with premium aftermarket designs. While dedicated cable enthusiasts may eventually upgrade, most owners will likely be perfectly happy with what comes in the box.

A Design That Turns Heads

If there's one area where the Egret immediately stands out, it's the design.

These are simply gorgeous headphones.

The combination of Gunmetal-finished aluminum and handcrafted North American black walnut creates an elegant and timeless appearance. Every pair features unique wood grain patterns, giving the headphones an artisanal character that mass-produced competitors often lack.

The grille design is equally striking. Inspired by the shape of a heron's wings, it gives the Egret a distinctive identity without looking overly flashy.

Build quality is excellent throughout. Everything feels solid, precise, and carefully assembled.

Surprisingly Comfortable

At 443 grams, the Egret is certainly not lightweight. However, weight alone doesn't determine comfort.

The suspension-style headband distributes pressure exceptionally well, while the thick hybrid ear pads combine soft leather and velour materials to create a comfortable seal around the ears.

Long listening sessions never became tiring. In fact, the Egret feels noticeably lighter in use than its specifications would suggest.

For a large open-back planar headphone, comfort is one of its strongest qualities.

Technical Specifications

Under the hood, Sendy Audio has equipped the Egret with large 98 x 84 mm planar magnetic drivers featuring an ultra-thin diaphragm measuring less than 800 nanometers thick.

Sensitivity is rated at 95 dB with an impedance of 24 ohms.

In practice, the Egret is easier to drive than many planar competitors. Portable players can achieve satisfying results, especially from balanced outputs. That said, these headphones clearly benefit from additional power.

Connected to a capable desktop amplifier, the sound gains authority, dynamics, and improved control across the frequency range.

Sound Quality

The first thing that struck me about the Egret was how effortlessly musical it sounds.

Many modern planar headphones chase maximum detail retrieval, sometimes at the expense of emotional engagement. The Egret takes a different approach.

Its tuning leans toward naturalness and musicality rather than ruthless analysis.

The overall presentation is balanced and largely neutral, yet there is an unmistakable warmth and softness that gives music a wonderfully organic character. Notes flow naturally, instruments breathe, and vocals carry emotional weight without sounding artificially pushed forward.

Listening feels relaxed rather than demanding.

The soundstage is spacious and open, extending convincingly beyond the ear cups. Instrument placement is precise, while depth layering is particularly impressive at this price point.

Perhaps most importantly, the Egret remains enjoyable across virtually every genre. Whether playing acoustic jazz, vocal recordings, electronic music, or classic rock, it consistently prioritizes musical coherence over technical showmanship.

Bass Performance

The low frequencies strike an excellent balance between control and impact.

Bass notes are fast, articulate, and well defined, which is exactly what many enthusiasts expect from planar magnetic technology.

Sub-bass extension reaches deep enough to provide satisfying weight when required, but the tuning never becomes excessive or bloated.

Bass lovers seeking overwhelming quantity may want more, but listeners who value quality over quantity will likely be very pleased.

Midrange Performance

The midrange is where the Egret truly shines.

Instruments sound rich, realistic, and beautifully textured. Guitars possess convincing body, pianos feel naturally weighted, and vocals emerge with warmth and emotion.

The presentation is smooth rather than aggressively revealing. While some competitors extract slightly more micro-detail, the Egret compensates with a cohesive and immersive listening experience that remains engaging for hours.

This is a headphone designed to connect listeners with music, not just recordings.

Treble Performance

Treble tuning is mature and refined.

There's enough detail and sparkle to reveal subtle nuances, yet the upper frequencies never become fatiguing or harsh.

Cymbals shimmer naturally, ambient information remains easy to hear, and the overall presentation feels airy and spacious.

Those seeking razor-sharp analytical treble may find it slightly restrained, but for long-term listening comfort, Sendy Audio has struck an excellent balance.

Competition

The obvious internal comparison is the Sendy Audio Aiva 2.

While both headphones share the brand's characteristic spaciousness and musicality, the Egret feels more mature and refined. Bass is fuller, the midrange has greater substance, and the overall tonal balance is more cohesive.

Against the highly respected FiiO FT7, the differences become philosophical rather than technical.

The FT7 aims for studio-monitor precision with exceptional resolution and neutrality. The Egret instead embraces warmth, flow, and emotional engagement.

Neither approach is objectively better. The choice ultimately depends on whether you prioritize analysis or musical enjoyment.

Conclusion

The Sendy Audio Egret is one of the most enjoyable planar magnetic headphones I've heard in its price category.

Its stunning craftsmanship, luxurious comfort, generous accessory package, and beautifully musical tuning combine to create a genuinely compelling product.

It won't satisfy listeners seeking maximum analytical detail or ruthless studio-monitor precision. Instead, the Egret focuses on delivering music with warmth, elegance, and emotional connection.

For anyone looking for a stylish open-back planar headphone that prioritizes listening pleasure above all else, the Sendy Audio Egret deserves a place very high on your shortlist.

SV-Audio Astrid Arrives

For years, Astrid existed as little more than an idea within SV-Audio's development plans. The company envisioned a loudspeaker that would sit comfortably between its existing models while bringing its own unique character to the listening room. That vision has now become reality.

Named after the Old Norse “Ásfríðr,” meaning “beloved by the gods,” Astrid draws inspiration from Nordic traditions associated with strength, wisdom, and grace. Those qualities are reflected not only in its elegant appearance but also in the way the loudspeaker aims to balance openness, precision, and authority.

A True Line Source Design

At the heart of Astrid is a genuine two-way line source configuration. The loudspeaker combines a 1.5-inch silk dome ring radiator tweeter with four specially selected 5-inch woven polypropylene mid-woofer drivers operating together across the same frequency range. This approach allows the drivers to behave as a single coherent system, creating a larger and more effortless presentation than traditional designs.

The silk dome ring radiator tweeter employs a neodymium motor system and is designed to reproduce delicate overtones with clarity and control while avoiding harshness or listening fatigue. Meanwhile, the four polypropylene drivers deliver the physical foundation needed for convincing bass performance and realistic scale. According to SV-Audio, the goal was to create a loudspeaker capable of presenting voices with natural body and continuity while maintaining a bass response that feels controlled, powerful, and alive.

Built Around Musical Coherence

Rather than chasing specifications alone, SV-Audio says Astrid was developed around the idea that every driver should work together seamlessly. A relatively low crossover point helps preserve timing and integration throughout the critical vocal range, ensuring instruments and voices remain connected and believable.

The crossover network itself features carefully selected low-resistance components refined through extensive listening sessions and measurements. The objective is simple: deliver a balanced and natural presentation where nothing draws attention to itself and the music remains the focus.

Premium Construction Throughout

Astrid's substantial cabinet measures 106 centimeters tall and weighs 37 kilograms. A dual-chamber internal construction separates the drivers into individual bass chambers, reducing standing waves and unwanted interactions. Combined with carefully tuned porting and precise time alignment, the design aims to preserve both clarity and low-frequency authority.

One of the most distinctive visual features is the solid aluminum front baffle, complete with SV-Audio's machined logo and signature radiating pattern. While visually striking, the pattern also serves an acoustic purpose by helping reduce front-baffle reflections, contributing to improved focus and imaging.

Internally, pure copper wiring and SV-Audio-branded terminals ensure efficient signal transfer from amplifier to drivers, reinforcing the company's emphasis on preserving detail, timing, and tonal integrity.

Designed for Serious Listening Rooms

With a frequency response extending from 32 Hz to 20 kHz, 90 dB sensitivity, and a nominal 6-ohm impedance, Astrid appears capable of partnering with a wide variety of amplifiers ranging from 25 to 250 watts. SV-Audio recommends the loudspeaker for rooms up to 80 square meters, where its line source design can fully showcase its scale and effortless presentation.

Extensive Finish Options

Astrid will be available in a wide range of satin gloss and high-gloss finishes, including Pure Black, Black Pearl, Deep Pearl Blue, Crème White, and Reference Pearl Gray. For buyers seeking something truly unique, SV-Audio also offers custom automotive paint finishes, allowing virtually unlimited personalization.

First Impressions

On paper, the Astrid looks like one of the most ambitious loudspeakers SV-Audio has produced to date. The combination of a true line source architecture, premium materials, substantial cabinet construction, and a strong focus on natural vocal reproduction suggests a loudspeaker designed for long-term listening enjoyment rather than showroom fireworks. For enthusiasts seeking a speaker that combines Scandinavian elegance with serious acoustic engineering, Astrid may prove to be one of the most intriguing new launches of the year.

Visit SV-Audio for more information about the speaker.

Mark Levinson No 626: preamplifier

Mark Levinson is primarily associated with powerful power amplifiers, but Mark Levinson's first product was a preamplifier named the LNP-1. This prototype was followed by the LNP-2 production variant, aimed at the professional market. The first model developed for the high-end hi-fi market was the JC-2, named after then-chief designer John Curl. The JC-2 was followed by the ML-1, a full Class A, complementary push-pull configuration and the first to bear the Mark Levinson initials. Only then did the first power amplifier follow, and that was the ML-2.

Purity and simplicity, with maximum control over every facet of signal processing, have always formed the foundation of every Mark Levinson design. The Mark Levinson No 320 and No 32 are still regarded by many as the very best preamplifiers ever made. Mark Levinson's new No 626 preamplifier borrows many of these technologies but develops them further using contemporary components and dresses them in a beautiful tailored suit that radiates class.

With a total depth of nearly 49 centimeters, the Mark Levinson No 626 can hardly be called modest. Beneath the beautiful cover, featuring a unique cooling vent structure and integrated model designation illuminated by red LEDs, lies a completely balanced design in a dual-mono configuration. Starting from the power connector, the No 626 effectively splits into two entirely separate amplifier sections that are, moreover, symmetrically constructed. The same applies to the power supply: oversized, with separate construction for digital and analog sections, and isolated to prevent interference. These are characteristic Mark Levinson priorities in which the brand has specialized since its inception. It typifies the desire to preserve every musical detail and every nuance with maximum integrity. The No 626 thus offers a deep connection with the recording. An extremely transparent, finely tuned sound in which every facet is translated into music with utmost precision and feeling.

The No 626 is equipped with two pairs of balanced (XLR) and three pairs of single-ended (RCA) inputs, as well as a single-ended input with a dedicated Class A phono amplifier (MM-MC). In addition to the analog inputs, there is also a variety of digital inputs, including AES/EBU and asynchronous USB-C input. The newly developed Precision Link III DAC builds its circuitry around the ESS Sabre ES9039PRO 8-channel Hyperstream IV DAC in combination with discrete Mark Levinson signal processing and jitter elimination circuits. Besides the balanced and single-ended outputs for connection to the power amplifier, a Class A headphone output is present.

As befits Mark Levinson, these extensive connectivity options for turntables and digital sources are not only a functional addition but, above all, an extremely high-quality alternative to external components. Short, pure signal paths for maximum musical perfection. That is exactly what the beautiful No 626 stands for.

Mark Levinson No 632: Dual Mono Power Amp

The first Mark Levinson power amplifier was the ML-2. An absolute monster. Built as a single-channel mono-block, the ML-2 delivered no less than 25 watts in full Class A. Yet it was primarily its unprecedented load stability combined with fine control that elevated it to legendary status. That extreme current reserve made the ML-2 an ideal partner for the Apogee loudspeakers of the time, whose 0.3 ohm impedance turned many an amplifier into a smoke machine.

Just as the ML-2 was paired with the ML-1, the current No 632 forms a natural combination with the No 626. Conceptually, however, the No 632 is more reminiscent of the No 300 series power amplifiers. The visible heatsinks, which transition beautifully into the rounded curves on the front, are reminiscent of the No 336, while the stylish glass front plate is adopted from the No 53s. The top features the same circular inlay as the No 626, with red LED accents symbolizing the internal ‘motor' of the No 632.

Like the preamplifier, the No 632 is fully balanced and dual-mono in design. The 1,900 VA low-noise toroidal transformer, developed for Mark Levinson, is centrally located and both mechanically and electromagnetically isolated. This forms the basis for a superior supply voltage with enormous headroom, undoubtedly the most important component for musical control. The rectification and buffering are typically of a rare class as Mark Levinson and leave nothing to chance with 80,000 µF buffer capacity per channel. With the No 632, Mark Levinson opts for minimal internal feedback and a particularly high bias setting for its 12 high-bandwidth bipolar output transistors per channel. This makes the No 632 super linear and ultra stable with maximum grip on the loudspeaker, regardless of impedance. The specifications reflect Mark Levinson's uncompromising approach, namely 250 Watts per channel into eight Ohms at a bandwidth of 20 Hz to 20 kHz, measured with less than 0.3% THD, doubling to 500 Watts into four Ohms and full stability down to two Ohms.

Together with the No 626, the No 632 presents music with extreme refinement and control. The sound is truly unprecedentedly clean but not soulless. On the contrary, the 600 series possesses the control and effortlessness that characterized the 300 series of that era, but adds phenomenal transparency and energetic speed. The combination draws you deep into the recording, where every detail is presented clearly, lifelike, and with high contrast. Once broken in, this combination represents exactly what Mark Levinson is all about.

Mark Levinson No 631: Mono Power Amp

Later this year, importer Reference Sounds expects to expand the 600 series with the No 631 mono power amplifiers, inspired by the iconic No 33H. Indeed, a 60-kilo+, vertically built tank of a power amplifier, a more detailed description of which will follow in due course.

Recommended retail prices
Mark Levinson No 626: 24,990 euros
Mark Levinson No 632: 27,490 euros
Mark Levinson No 631: 69,980 euros (per pair)

The Vito Classic is touted as the newest and most advanced addition to Neat Acoustics ‘ Classic product line . Hand-built in Northern England, this loudspeaker promises a spacious, natural, and emotionally immersive reproduction from a slim, elegantly designed floor-standing enclosure. The loudspeaker was developed according to Neat's “listening comes first” philosophy, where every stage of the design is tuned by ear and acoustic measurements are used to refine the final result rather than dictate it.

The Vito Classic is a 2.5-way floorstanding loudspeaker featuring a planar magnetostatic tweeter in the form of an air motion transformer (AMT) and a bass reflex enclosure with two woofers. Neat claims a frequency range extending from 22 Hz to 22 kHz, a nominal impedance of six Ohms, and recommends amplifiers with a power output between 25 and 200 Watts. The dimensions of the Vito Classic are 90 x 19 x 30 centimeters.

As the top model in the Classic series, the Vito Classic combines deep, tightly controlled bass with an open and clear midrange, resulting in an effortless and immersive soundstage. Despite its compact size, the Vito Classic is designed by Neat to deliver a full-bodied soundstage in medium to large rooms. The model also references one of Neat's most admired classic designs. Just like the original Vito, this new version is designed to offer a sense of scale, cohesion, and musical flow that contradicts its physical dimensions.

Visitors to High End Vienna will be able to listen to reference copies from the pre-production phase. However, some minor cosmetic adjustments are still expected for the final release.

Sennheiser Momentum 5 Wireless

The new model follows the Momentum 4 Wireless, which is the more durable and balanced successor to the Momentum 3. A look at the specifications of the Momentum 5 Wireless points to a careful evolution rather than a drastic overhaul, and that is not necessarily a bad thing. Sennheiser has left the basic acoustic platform unchanged and subsequently focused on improvements such as stronger active noise cancellation (ANC), improved app control, support for spatial audio, and broader codec compatibility.

The Momentum 5 Wireless uses the same 42 mm transducer as its predecessor, which is produced at the Sennheiser factory in Tullamore, Ireland. Sennheiser says the driver is inspired by the HD 600 series headphones and is tuned for a full sound with dynamic bass.

The new model primarily offers advancements in wireless connectivity and processing, with Hi-Res Audio certification, Snapdragon Sound technology, and Bluetooth codec support up to aptX Lossless. It also works with Sennheiser's new Smart Control Plus app, which adds an 8-band equalizer, custom presets, and the company's Sound Personalisation engine.

Sreenath ‘Sri' Unnikrishnan, Product Manager at Sennheiser, said that the goal was to refine the user experience rather than deviate too much from the strengths of the previous model: “With the Momentum 5 Wireless, we focused on refining the overall experience, without deviating from the formula that made its predecessor so successful. These improvements enrich the functionality while simultaneously retaining that magic you feel every time you press play.”

Sennheiser Momentum 5 Wireless: improved ANC

The most notable improvement is the Active Noise Cancelling (ANC). Sennheiser claims that the Momentum 5 Wireless is up to three times more effective at reducing distracting ambient noise. The number of microphones specifically used for ANC and transparency has doubled: the headphones now use four microphones per side, compared to two in the previous model. According to Sennheiser, this results in better reduction of monotonous sound in the aircraft cabin and more natural speech during calls.

Spatial audio is also part of the new package, albeit with an important caveat. The Momentum 5 Wireless supports Dolby Atmos with head-tracking, but this requires a firmware update via the Smart Control Plus app. Furthermore, playback depends on an Atmos-compatible source device and supported spatial audio content, so this is not a universal upgrade that will be significant in every listening situation.

The wireless platform comes with Bluetooth 5.4, while Sennheiser indicates that the hardware is designed to support Bluetooth 6.0 via a future firmware update. That is a sensible step towards a longer lifespan, although, as always with promises regarding future firmware updates, their value depends on how quickly and completely those updates are released.

Battery life remains one of the strong points of the Momentum line, even though it is slightly lower than the 60 hours claimed by the Momentum 4. Sennheiser specifies a battery life of up to 57 hours for the Momentum 5 Wireless with ANC enabled, which is still a very good result for a premium wireless noise-cancelling headphone.

That slight reduction is likely due to Sennheiser utilizing part of the previous model's battery capacity elsewhere. The new model doubles the number of microphones dedicated to ANC and transparency, and adds a more powerful wireless and processing platform that supports Snapdragon Sound, aptX Lossless, future Dolby Atmos with head-tracking, and Bluetooth 6.0 support via firmware.

Sennheiser Momentum 5 Wireless: replaceable battery

Sennheiser has also introduced a user-replaceable 700mAh battery that can be swapped using a small Phillips screwdriver. In a category still dominated by sealed designs, this feels like a sensible long-term improvement, especially if it allows the battery to be replaced even after years.

Lilika Beck, President of Sennheiser Consumer Audio, said that the change reflects the company’s attempt to balance performance and responsibility: “With the Momentum 5 Wireless, we prove that high-quality sound and environmental friendliness can, and even must, go hand in hand. Thanks to our new user-replaceable battery, customizable hardware, and the switch to compact, plastic-free packaging, our customers will be proud of their choice of headphones that last.”

Sennheiser has also reduced the dimensions of the storage case by 20%, which should remedy one of the daily frustrations of many large ANC headphones: they sound great, but still take up too much space in a travel bag. The package also includes a USB-C charging cable and a 3.5 mm analog audio cable for use with in-flight entertainment systems, laptops, and other wired sources.

Price: $399

At first glance, the BTC-2 might look like just another compact Bluetooth receiver. But Cayin has packed a surprising amount of functionality into this tiny chassis. It works as a Bluetooth receiver, DAC, preamplifier, and headphone amplifier all at once, meaning it can sit right at the center of a desktop setup, headphone rig, or even a classic stereo system that desperately needs a wireless upgrade.

The idea is simple: stream music from your phone, tablet, or laptop straight into your hi-fi system without the usual compromises. But Cayin clearly wanted the BTC-2 to feel more serious than your average Bluetooth gadget.

A tiny box with big hi-fi ambitions

The BTC-2 supports Bluetooth 5.1 and handles high-resolution codecs including LDAC, AptX HD, and AAC, giving users access to better wireless sound quality than standard Bluetooth streaming. Inside, Cayin uses Qualcomm’s QCC5125 chipset for wireless duties, while digital conversion is handled by the respected ESS Sabre ES9018K2M DAC chip.

That DAC alone will probably catch the attention of plenty of headphone enthusiasts. It supports PCM playback up to 24-bit/192 kHz through the S/PDIF input, which means the BTC-2 is not limited to wireless streaming. You can also hook up traditional digital sources and use it as a compact desktop DAC.

And Cayin did not stop there.

The BTC-2 includes both analog RCA input and output connections, effectively turning the unit into a small preamp with three total inputs. There is even a digital S/PDIF output for users who want to pass signals onward or digitize analog sources for recording purposes.

That is a pretty wild feature list for something expected to land under the $200 mark.

Balanced headphone output at this price?

This is where things get especially interesting for headphone fans.

On the front panel, Cayin includes both a standard 6.35 mm headphone jack and a balanced 4.4 mm Pentaconn connection. The balanced output reportedly delivers up to 280 mW per channel, which should be enough for many low-impedance headphones and portable audiophile cans.

Balanced outputs are becoming increasingly common in portable audio gear, but seeing one in an affordable compact desktop unit like this still feels like a nice bonus.

Cayin also says the analog stage is fully balanced internally and uses an Alps potentiometer for volume control, a detail that old-school hi-fi enthusiasts will probably appreciate more than flashy marketing buzzwords.

A surprisingly tweakable sound

One fun detail is that the BTC-2 allows users to switch between different digital filter modes using the included remote control. You can choose between sound signatures like minimum phase and steep roll-off, which gives listeners a little room to tailor the presentation to their taste.

Will it completely transform the sound? Probably not. But for audiophiles who love tweaking every last detail, it is another reason why the BTC-2 feels more like “real hi-fi” and less like a generic Bluetooth accessory.

The OLED display also adds a premium touch by showing active source information and playback resolution, while the remote handles everything from source selection to Bluetooth playback controls.

Old-school hi-fi meets modern streaming

What makes the BTC-2 genuinely appealing is how it bridges two worlds. There are still countless fantastic amplifiers, integrated systems, and active speakers out there that sound wonderful but completely lack modern streaming features. Cayin seems to understand that not everybody wants to replace their entire setup just to add wireless playback.

Instead, the BTC-2 acts like a compact digital bridge between vintage hi-fi culture and today’s streaming habits.

And if Cayin manages to deliver solid sound quality at the expected price point of just under €200, this little device could become a very tempting upgrade for budget-conscious audiophiles, desktop listeners, and headphone users alike.

1. Borresen M1

Price: $129,000

The Borresen M1 is one of the most technologically advanced compact loudspeakers ever created. Every aspect of its construction feels obsessive in the best possible way, from the exotic zirconium driver basket to the ultra-rigid carbon-titanium sandwich cone. Borresen even claims that each driver costs roughly $13,000 to manufacture, a figure that alone says everything about the ambitions behind this speaker.

The result is a presentation that feels almost supernatural in its clarity. The soundstage expands effortlessly beyond the speaker boundaries, instruments appear with microscopic precision, and transient speed is astonishingly fast without sounding clinical. Despite its compact form factor, the M1 behaves like a reference-grade full-range system when paired with world-class electronics. These speakers are not merely about luxury, they represent an uncompromising pursuit of sonic perfection.

2. JBL Summit Ama

Price: $24,500

The JBL Summit Ama brings the scale and authority of massive floorstanding systems into a far more compact enclosure. Using JBL’s proprietary horn-loaded compression driver technology combined with an advanced carbon-fiber sandwich woofer, the Ama produces a huge, room-filling sound that feels effortlessly dynamic.

What makes these speakers special is their ability to sound alive at virtually any volume level. Vocals leap into the room with startling realism, drums hit with visceral impact, and orchestral recordings maintain enormous scale. The Summit Ama delivers the unmistakable energy and presence JBL is famous for, while adding a level of refinement and precision that places it firmly in ultra high-end territory.

3. Dali Epikore 3

Price: $19,500

The Dali Epikore 3 is effectively a compact reference monitor disguised as a bookshelf speaker. This true three-way design combines Dali’s EVO-K hybrid tweeter module with advanced wood-fiber drivers and an upgraded SMC Gen-2 magnet system to create a remarkably holographic presentation.

The level of resolution here is exceptional, but what truly stands out is the speaker’s sense of openness and ease. High frequencies extend effortlessly without harshness, while the midrange remains rich, natural, and deeply immersive. Pair the Epikore 3 with powerful amplification and it rewards you with a massive, layered soundstage that can rival speakers far larger in size.

4. Revel Performa4 M146

Price: $3,900

Revel’s newest Performa4 M146 showcases the company’s relentless focus on acoustic science and precision engineering. Proprietary ceramic-composite drivers, advanced waveguide technology, and heavily optimized cabinet construction combine to create a speaker that sounds extraordinarily controlled and accurate.

These speakers excel at disappearing into the room. Imaging is razor sharp, tonal balance is beautifully neutral, and bass performance feels impressively authoritative for the size. The M146 does demand high-quality amplification to truly shine, but when properly driven, it delivers an expansive and effortlessly refined listening experience.

5. Buchardt Audio S400 MK3

Price: $3,050

The Buchardt Audio S400 MK3 represents a dramatic evolution over the earlier S400 generations. Nearly every component has been redesigned, including a larger enclosure, upgraded crossover network, and an entirely new driver configuration built around SB Acoustics’ advanced PAPYRUS cone technology.

The payoff is immediately obvious when listening. The S400 MK3 sounds larger, fuller, and significantly more refined than previous versions. Vocals carry stunning realism, bass extension is shockingly deep for a bookshelf design, and the speaker maintains remarkable coherence across the entire frequency range. It is a compact speaker that punches far above its size class.

6. Davis Acoustics Krypton 3 V2

Price: $1,850

The Davis Acoustics Krypton 3 V2 blends musicality with impressive versatility. Thanks to its relatively high sensitivity and easy-to-drive impedance characteristics, it pairs beautifully with a wide range of amplifiers, making it one of the more flexible speakers in this ranking.

Its Kevlar midrange driver delivers excellent articulation and speed, while the soft-dome tweeter keeps the top end smooth and natural. The overall sound signature feels energetic and engaging without becoming fatiguing, making the Krypton 3 V2 an outstanding option for listeners who want refinement without sacrificing excitement.

7. SVS Ultra Evolution Nano

Price: $1,700

SVS has packed an enormous amount of engineering into the Ultra Evolution Nano. Despite its compact dimensions, this speaker borrows heavily from the company’s flagship development work, including a diamond-coated aluminum tweeter, advanced crossover components, and rigid composite drivers.

When paired with capable amplification, the Nano produces an impressively large and immersive soundstage. Imaging is precise, dynamics are lively, and the tonal balance leans toward a modern, highly detailed presentation. These speakers prove that SVS is serious about competing in the premium two-channel market.

8. Leak Sandwich 100

Price: $920

The Leak Sandwich 100 is easily one of the most charming and impressive affordable bookshelf speakers released in recent years. Inspired by the legendary Leak Sandwich models from the 1960s, the modern version revives the brand’s famous multi-layer driver cone technology using contemporary materials and manufacturing techniques.

Its oversized soft-dome tweeter gives the speaker an unusually open and effortless top end for this price category, while the sandwich-cone woofer delivers excellent rhythmic precision and control. Although careful amplifier matching is recommended, the reward is a lively, engaging sound that captures the spirit of classic British hi-fi while feeling thoroughly modern.

Closed-back headphones have always lived with a certain compromise. You either get strong isolation and heavy bass with a cramped presentation, or a spacious and detailed sound that sacrifices warmth and body. The new Final Audio DX4000CL tries to avoid that compromise entirely, and remarkably, it succeeds more often than not.

This is not a headphone built for casual listeners or trendy tuning. The DX4000CL is unapologetically audiophile in both its philosophy and presentation. It focuses on natural timbre, long-session comfort, rich analog warmth, and an expansive soundstage that feels genuinely unusual for a closed-back design.

At around $1000, expectations are obviously high. Thankfully, the DX4000CL feels like a meaningful step forward rather than just another incremental refresh.

Design and Build Quality

Final Audio has never been a company obsessed with flashy industrial design. The DX4000CL follows the same restrained and functional approach as earlier models in the series, but there is something quietly premium about the execution.

The large earcups are made from fiberglass-reinforced resin, while the supporting structure uses lightweight aluminum components that feel reassuringly solid in the hand. Everything about the construction feels precise and carefully engineered. There are no loose joints, no creaks, and no unnecessary decorative elements trying to distract from the product itself.

One of the most impressive aspects is comfort. The soft leatherette material used across the headband and ear pads feels genuinely luxurious, and the thick memory foam padding gives the headphones an almost pillow-like fit. Despite weighing around 375 grams, the DX4000CL distributes its weight extremely well and remains comfortable for hours at a time.

The clamp force is gentle rather than aggressive, which makes these ideal for relaxed listening sessions at home or at the office. People who wear glasses should also find them surprisingly accommodating thanks to the spacious earcup shape and soft padding.

The included cable is a serious piece of hardware as well. Final includes a silver-plated oxygen-free copper balanced cable terminated in 4.4 mm Pentaconn. Sound quality from the cable is excellent, though the two-meter length feels more suited for desktop use than portable listening. The lack of a carrying case or standard 3.5 mm adapter is slightly disappointing at this price point, especially considering these are technically marketed as portable closed-backs.

Driver Technology and Power

Inside the DX4000CL sits a newly developed 40 mm dynamic driver using a paper-carbon composite diaphragm. Final has always leaned heavily into natural-sounding driver materials, and that philosophy is immediately obvious here.

The company also uses a “free-edge” diaphragm structure and an internal rear diffuser system designed to reduce resonance and improve overall control. Whether you care about the technical explanations or not, the result is a headphone that sounds smooth, coherent, and unusually organic.

With a 37-ohm impedance and 96 dB sensitivity, the DX4000CL is not particularly difficult to drive, but it absolutely benefits from quality amplification. Portable Hi-Res players can power them without issue, but pairing them with a strong desktop amplifier unlocks noticeably better dynamics, bass control, and layering.

During testing, the headphones paired beautifully with high-end digital audio players and desktop DAC/amp setups alike.

Sound Quality

The first thing that immediately grabs your attention is the scale of the soundstage. Closed-back headphones are rarely associated with openness or holographic imaging, but the DX4000CL creates a presentation that feels remarkably spacious.

Width is impressive, but more importantly, the sound has depth and verticality. Instruments are allowed room to breathe naturally rather than being packed tightly together. Nothing feels artificially stretched or exaggerated either. The presentation simply feels open, relaxed, and immersive in a way that is genuinely difficult to achieve with a sealed design.

Tonally, the DX4000CL leans warm, smooth, and full-bodied. This is not a sharp or analytical headphone chasing extreme treble detail. Instead, Final focuses on realism, texture, and musical flow.

The bass is large, dense, and authoritative. It has a deep sub-bass foundation with a slightly soft and velvety character rather than hyper-aggressive slam. Bass lovers will absolutely appreciate the weight and physicality here. Importantly, the low end remains controlled and avoids bleeding into the midrange.

The midrange is where the DX4000CL makes its biggest improvements over earlier models. Vocals sound clearer, more expressive, and more naturally separated within the mix. Instruments have excellent body and dimensionality without sounding clinical or sterile. Acoustic recordings especially benefit from the headphone’s natural timbre and smooth tonal balance.

Treble performance is refined and intentionally relaxed. There is enough detail and extension to keep things engaging, but Final clearly avoided aggressive brightness or artificial sparkle. Some listeners may wish for a little more bite and air, but the upside is an incredibly fatigue-free listening experience.

This is the type of headphone you can wear for hours without ever feeling overwhelmed or exhausted.

Performance and Character

What makes the DX4000CL interesting is how it balances technical performance with emotional presentation.

Many headphones in this price range focus heavily on speed, hyper-detail, or aggressive transient attack. Final instead prioritizes atmosphere, texture, and musical coherence. The DX4000CL does not dissect recordings with surgical precision. It presents music as a complete performance rather than a collection of isolated details.

That approach gives the headphones an almost tube-like personality. Notes sound rich and textured, dynamics feel smooth rather than explosive, and the overall presentation encourages long listening sessions rather than short analytical comparisons.

Listeners who prioritize ultimate speed or razor-sharp precision may find the DX4000CL slightly too relaxed at times. But for listeners who value immersion, realism, and emotional connection, the tuning feels incredibly satisfying.

DX4000CL vs DX3000CL

Compared to the earlier DX3000CL, the new model sounds noticeably more refined and balanced.

The DX3000CL leaned harder into warmth and bass-heavy coloration, creating an extremely atmospheric and almost romantic presentation. The DX4000CL keeps much of that musicality while improving clarity, vocal articulation, and overall control.

Bass remains powerful, but it is more disciplined. Midrange transparency is better, and treble sounds cleaner and more defined without becoming harsh. The newer model simply feels more mature and technically capable while still preserving the relaxed character that made the original so enjoyable.

Conclusion

The Final Audio DX4000CL is one of the most interesting closed-back headphones currently available in its price range.

It combines exceptional comfort, premium build quality, and a beautifully natural sound signature with an unusually spacious presentation that challenges many open-back competitors. Rather than chasing exaggerated detail or analytical sharpness, Final focused on musicality, realism, and long-term listening pleasure.

These headphones will not appeal to listeners looking for ultra-fast studio monitor precision or aggressive treble energy. But for audiophiles who want rich timbre, powerful bass, expansive staging, and an immersive analog-style presentation, the DX4000CL delivers something genuinely special.

It feels less like a technical showcase and more like a headphone designed by people who simply love listening to music.

The Revox Studiomaster CD100 is connected to the M500 or M300 via a coaxial digital connection and a dedicated data cable for the control functions. Revox includes the Control Port CD Player Connection Cable, which enables plug-and-play installation via the USB port of the M500 or M300 and the RS232 input of the player.

Configuration is automatic, during which the connected source is renamed to ‘CD player' in the system interface. Playback information and the CD status can be displayed in both the Revox Multiuser app and on the front panel displays of compatible components. Status messages include ‘Playing', ‘Pause', ‘Stop', ‘No CD', and ‘Read error'.

The company states that the CD100 automatically switches on when selected as a source and switches off when users switch to another source on the M500 or M300. If the coaxial input is already in use, optical or analog inputs can also be configured manually.

Control options include buttons on the player's front panel, the Revox Multiuser app, and Revox control systems in combination with the M500 or M300. Revox also confirms backward compatibility with the Joy S119 and S120 MKII network receivers via the CD-Link interface.

DA conversion and other technical details

The CD100 uses a Burr-Brown PCM1796 DAC and features coaxial and optical digital outputs. Revox specifies a frequency range of 5 Hz to 20 kHz, THD + noise values ​​lower than 0.0018% on the digital output and lower than 0.0019% on the analog output, with an S/N ratio of more than 110 dB at 1 kHz.

The player measures 88 x 200 x 342 millimeters and weighs 3 kilograms. It is available in black, white, and silver. Included accessories are a power cord, a control cable, and a coaxial cable.

Revox has also announced the separately available Control Port CD player connection cable. With this cable, existing Revox Joy S22 CD players can be connected to the Studiomaster M500 and M300 systems for use within a Multiuser 3.0 network.

The Revox Studiomaster CD100 CD player is available in black, white, and silver and costs just under $1,900. The Revox Control Port CD player connection cable costs just under $500.

The new model follows the Skyanalog P-1G MC element (MC = Moving Coil), which is praised for delivering serious analog performance at a relatively affordable price. The P-1GC appears to build upon that foundation rather than completely replacing it, refining the mechanical package around the company's Yan Suspension system.

The most notable technical change is the switch to a zirconia-ceramic cantilever. Skyanalog states that this material was chosen due to the combination of stiffness and internal damping, with the aim of suppressing unwanted mechanical resonance while simultaneously preserving detail and tonal coherence. The cantilever material, the stylus profile, and the behavior of the suspension all play a direct role in how a cartridge tracks the groove and manages energy before that movement reaches the coil system.

Central to the P-1GC is Skyanalog's new Skyliptical stylus, a patented solid diamond design integrated into the cartridge rather than being offered as a separate upgrade product, at least for the time being. Skyanalog describes it as their first design with a solid diamond stylus. The stylus utilizes what they call AI-optimized geometry, intended to evolve the traditional elliptical profile with a larger contact area in the groove and more efficient mechanical transcription.

According to Skyanalog, the one-piece diamond structure is designed to maximize stiffness, improve signal integrity, and support better detail reproduction, wider spatial definition, and stronger clarity in the high-frequency range. The company also claims improved tracking under demanding conditions in the grooves, along with a sharper image and better channel separation.

Skyanalog presents the P-1GC in terms of sound quality as a more refined and open-sounding evolution of the P-1G, with an emphasis on natural transparency, controlled energy transfer, tonal density, and long-term listening comfort.

The P-1GC will soon be available for just under $600.

The Yamaha YHT-4970U system includes a Yamaha RX300A AV receiver, five compact satellite speakers, an active subwoofer with an 8-inch driver, speaker cable, and setup accessories. The company markets the system as a simple entry point into a home theater system using individual components, but in reality, the system also competes with premium soundbars and wireless TV audio systems.

Judging by the published specifications, the Yamaha YHT-4970U's acoustics haven't been significantly redesigned. The speaker system is likely largely inherited from the earlier Yamaha YHT-4950U: compact satellites with full-range drivers, a matching center channel, and an active subwoofer with an 8-inch driver.

The major update concerns the RX300A receiver, which Yamaha positions as a modern replacement for the long-standing entry-level RX-V385 receiver. This model features a 5.2-channel configuration, a rated power of 70 watts per channel at 8 ohms, an operating range of 20 Hz – 20 kHz, a distortion factor of 0.09%, and dual-channel operation. The new model features HDMI 2.1 ports, support for 8K/60 Hz and 4K/120 Hz video, HDR10+, Dolby Vision, VRR, ALLM, Bluetooth 5.3 Multipoint, and Dolby Atmos decoding. Thus, the device supports virtually all modern audio and video standards used in home theater systems.

Although the Yamaha YHT-4970U home theater system uses a traditional 5.1-channel setup without separate height speakers, the receiver supports Dolby Atmos playback via virtual surround processing. Furthermore, the Yamaha RX300A leaves room for further system expansion, including connecting a second subwoofer thanks to its two subwoofer outputs.

Compared to a soundbar, this system can provide a more realistic rear channel effect thanks to the physically separated surround speakers, as well as greater flexibility in placement and future upgrades. Yamaha clearly prioritizes simplicity and affordability over expert-level performance: the compact speakers are equipped with 2.75-inch full-range drivers with a sensitivity of approximately 83–84 dB, and the subwoofer utilizes Yamaha's Advanced YST II technology.

Price:  $699

The amplifier’s role in a hi-fi system

An amplifier is the electrical and musical core of a hi-fi setup. While your source components provide the signal and your speakers reproduce the sound, the amplifier determines how that signal is handled and delivered. This goes well beyond raw power output.

Factors such as current delivery, damping factor, stability under load, and power supply design all contribute to how confidently an amplifier controls a pair of speakers. A system with the right amplifier will sound composed, dynamic, and engaging, while a poor match can result in strained highs, weak bass, or listening fatigue.

Why power ratings don’t tell the whole story

One of the most common mistakes when buying an amplifier is focusing too heavily on wattage figures. While power output matters, numbers alone rarely tell the full story.

A modestly rated amplifier with a strong power supply and excellent current delivery can often outperform a more powerful model in real-world listening. This becomes especially important with demanding speakers that feature complex impedance curves or low sensitivity.

Specifications such as THD, signal-to-noise ratio, and amplifier class (Class A, AB, D, or G) are certainly useful, but they should be viewed as part of a bigger picture rather than the final answer.

Matching the amplifier with your speakers

The relationship between amplifier and loudspeaker is one of the most important aspects of building a balanced hi-fi system. Not every amplifier works equally well with every speaker, even when the specifications suggest compatibility.

Speakers with low sensitivity or difficult impedance behavior require an amplifier capable of delivering stable current under demanding conditions. When properly matched, bass becomes tighter, vocals sound more natural, and the stereo image gains precision and depth.

On the other hand, highly efficient speakers may benefit more from refinement and tonal finesse than from sheer power. In those systems, a more delicate and nuanced amplifier design can produce a more musical and enjoyable result.

This is why amplifier selection should always be considered as part of the complete system, not as an isolated component purchase.

Understanding amplifier types

Modern hi-fi amplifiers generally fall into a few main categories:

Integrated amplifiers

Integrated amplifiers combine a preamplifier and power amplifier in a single chassis. They remain the most popular option because they offer simplicity, performance, and value in one package.

Separate pre- and power amplifiers

Using separate components provides greater flexibility and upgrade potential. These systems often deliver improved channel separation and power supply performance, but they also require more careful matching and system planning.

Streaming amplifiers and all-in-one systems

Compact streaming amplifiers continue to grow in popularity thanks to their convenience and modern functionality. Many combine streaming, DACs, amplification, and wireless connectivity into a single solution, making them ideal for minimalist setups.

The best choice depends on how you plan to use your system and what level of flexibility or future upgrade potential you want.

Technical details that truly matter

Beyond the headline specifications, several technical factors can significantly influence performance:

• Power supply quality
• Current delivery capability
• Circuit design
• Thermal stability
• Component quality
• Input and output connectivity

Modern amplifiers may also include built-in DACs, streaming platforms, Bluetooth, HDMI ARC, or room correction systems. While these features can improve usability, it is still important to ensure the amplifier’s core sound quality remains the priority.

The best products strike a careful balance between functionality, reliability, and musical performance.

Listening is still the most important step

No specification sheet can fully describe how an amplifier will sound in your room, with your speakers, and with your music.

Timing, dynamics, tonal balance, and emotional engagement are qualities best judged through listening. An amplifier that measures beautifully may still fail to create the musical connection you are looking for, while another may immediately bring your system to life.

Whenever possible, listening to amplifier and speaker combinations before making a decision remains the most reliable way to find the right match.

Conclusion

Buying an amplifier is not simply about choosing the most powerful model or the one with the longest feature list. The best amplifier is the one that works harmoniously within your system and helps your speakers perform at their full potential.

When amplifier, speakers, and source components are properly matched, the result is a system that feels balanced, controlled, and musically convincing. Taking the time to understand these relationships will ultimately lead to a far more rewarding listening experience.

At the heart of the Pre900 is a fully balanced four-channel differential architecture that treats the left and right audio channels as completely independent signal paths. This approach is far more sophisticated than the simplified “balanced” implementations often seen in more affordable hi-fi gear. By maintaining separate processing for each channel throughout the entire audio path, TOPPING aims to minimize crosstalk, suppress unwanted noise, and preserve stereo imaging with exceptional accuracy.

The company has also paid close attention to internal power management. The digital and analog sections each operate on dedicated power circuits, reducing interference between sensitive audio stages and the control electronics. In practice, this contributes to a cleaner background, improved channel separation, and greater overall transparency, particularly when paired with revealing power amplifiers or high-resolution source components.

One of the most technically impressive elements of the Pre900 is its relay-controlled volume system. Instead of relying on conventional potentiometers, which can introduce imbalance and degradation over time, TOPPING has implemented a precision relay ladder network capable of adjusting volume in ultra-fine 0.1 dB increments. With a total of 1000 discrete volume levels available, users gain an unusually precise degree of control over listening levels. This level of granularity is especially valuable in nearfield desktop setups and high-resolution headphone systems where even minor volume adjustments can noticeably affect the listening experience.

Connectivity is equally serious. The Pre900 is equipped with three balanced XLR/TRS combination inputs using premium Neutrik connectors, ensuring compatibility with both professional studio equipment and modern high-end home audio components. A balanced XLR output handles signal delivery to external power amplifiers or active loudspeakers, while three selectable gain levels allow the preamplifier to adapt to a wide variety of system configurations.

TOPPING also claims an impressive maximum output voltage of 69 Vpp, giving the Pre900 enough headroom to comfortably drive demanding amplifier stages without strain. For users operating powerful balanced systems, this translates into effortless dynamics and improved control during complex musical passages.

Beyond the technical specifications, the Pre900 incorporates several thoughtful usability features that make daily operation feel refined rather than clinical. A built-in volume safety system automatically lowers the signal level when switching inputs or powering on the unit, helping protect loudspeakers and headphones from accidental spikes or unexpectedly high playback levels.

The front panel combines a minimalist industrial aesthetic with surprisingly versatile functionality. Dominating the center is a 2-inch color display capable of operating in several visual modes. Users can choose between standard playback information, animated VU meters, or a real-time FFT spectrum analyzer that gives the device a more professional studio-inspired personality. The interface itself is controlled through a combination of touch-sensitive buttons, a precision rotary encoder, and an included infrared remote control.

Physically, the Pre900 continues TOPPING’s familiar approach to construction quality. The chassis is machined from aluminum using CNC manufacturing techniques, resulting in a rigid enclosure designed to reduce vibration and electromagnetic interference while maintaining a clean, understated appearance suitable for both desktop and full-size hi-fi systems.

For users integrating the Pre900 into larger systems, TOPPING has included 12V trigger input and output connections. This allows connected components such as power amplifiers or active loudspeakers to power on and off automatically alongside the preamplifier, streamlining operation and creating a more seamless user experience.

What makes the Pre900 particularly interesting is how it bridges the gap between professional audio engineering and enthusiast hi-fi design. It clearly prioritizes measurable performance, low distortion, and signal purity, yet it also offers the kind of flexibility and visual sophistication that modern audiophiles increasingly expect from premium desktop and living-room systems alike.

Rather than chasing coloration or a heavily “voiced” sonic character, the TOPPING Pre900 appears designed to disappear from the signal chain entirely. For listeners seeking neutrality, precision, and uncompromising balanced operation, it represents another strong example of how modern audio manufacturers are pushing high-end engineering into increasingly accessible territory.

TOPPING Pre900 specifications :

• Device type: fully balanced preamplifier
• Architecture: Quad-channel differential
• Volume control: relay / 1000 steps / 0.1 dB
• Inputs: 3 x XLR/TRS Combo
• Outputs: XLR
• THD+N: 0.00005% @1kHz
• SNR: 151 dB
• Dynamic range: 151 dB
• Frequency response: 20 Hz – 40 kHz (±0.05 dB) / 20 Hz – 100 kHz (±0.1 dB)
• Output level: 69Vpp @G=L / 65Vpp @G=M / 65Vpp @G=H
• Gain: 0 dB / +10.4 dB / +19.9 dB
• Crosstalk: 150 dB
• Input impedance: 20 kOhm
• Output impedance: 100 Ohm
• Display: 2.0″ color
• Functions: FFT / VU Meter / Safe Volume / 12V Trigger
• Remote control: CNC aluminum housing
• Power supply: separate for digital and analog parts

YBA Design One

With Design One, YBA enters a niche that few high-end brands have explored. This compact (SA)CD player is also a desktop DA converter, a headphone amplifier, and a home CD transport, with the option to operate on batteries or an external power supply.

The YBA Design One is YBA's first step into the world of portable and desktop hi-fi. The company describes it as a way to bring the distinctive French sound to listeners, wherever they are. Despite its compact size of 188 x 166 x 40 millimeters and weight of 1.34 kilograms, the Design One promises the same sound character that distinguishes the brand's larger components.

Under the hood of the Design One, you will find an SACD mechanism built around the proven HD850 laser and the MT1389EE system, guaranteeing accurate playback of CDs and both single- and multilayer SACDs. The top-loading design utilizes a magnetic disc clamp developed specifically for this model.

DA conversion is handled by the AKM AK4497S, chosen to complement YBA's tuning philosophy. For headphone users—YBA's self-proclaimed target audience—a balanced discrete amplifier delivers up to 1.65 Watts at an impedance of 32 Ohms when powered by an external DC power supply, while maintaining a low output impedance for sensitive in-ear monitors (IEMs).

With the precise volume control in 100 steps, the user can fine-tune the volume for a wide range of headphones via the 3.5 mm unbalanced and 4.4 mm balanced outputs.

The Design One supports playback of CDs, CD-R/RWs, and SACDs. The specified signal-to-noise ratio is greater than 125 dB and maintains a THD+N of 0.0004% with a frequency range of 20 Hz to 40 kHz (-0.5 dB). The housing features a 2.79-inch screen (428 x 142) and is operated via physical buttons and adjustable mechanical switches.

The Design One is specifically designed for headphone use but can be easily integrated into larger systems. Featuring a balanced 4.4 mm output (5.2 Volts) and a stereo RCA output (2.6 Volts), it can be used as a line-out or pre-out DAC for active speakers or power amplifiers. Alternatively, the coaxial SPDIF output and the digital USB-C output can be used to connect an external DA converter when the Design One functions as a transport.

When the Design One is connected to a computer, it transforms into a high-resolution USB DAC that supports PCM up to 32-bit/768 kHz and DSD512. A magnetic rear panel protects the connectors for portable use.

Two internal 21700 batteries provide up to 5.5 hours of playback time and ensure a stable power supply, even when off the mains. Charging is done via USB-C with PD3.0 support. For more demanding headphones, connecting a 9V/3A PD3.0 PPS charger activates an external DC power supply, which would significantly increase the amplifier's output power.

Price: $1,900

The new model builds upon the original FoKus Apollo, Noble Audio's first over-ear ANC headphone and one of the more unusual models in the premium wireless segment, thanks to the combination of dynamic and planar magnetic drivers. The concept of hybrid drivers remains the key distinguishing feature of the Apollo Pro. Instead of relying exclusively on a conventional dynamic driver, Noble combines a 40mm dynamic driver with a 14.5mm planar magnetic driver. The dynamic driver ensures a powerful and physical reproduction of low frequencies, while the planar driver provides speed, clarity, and detail. It is still a rare approach in wireless ANC headphones, where most competitors focus more on noise cancellation, app features, spatial audio, or ecosystem integration.

The headphones still use Qualcomm's QCC3084 wireless platform and support the Nobles FoKus app, which gives users access to playback settings, equalizer settings, and other headphone functions. The supported codecs are SBC, AAC, aptX, aptX HD, and LDAC, and the headphones feature Bluetooth 5.3 connectivity, multipoint pairing, Active Noise Cancelling (ANC), a transparency mode, and wireless firmware updates.

Although battery life has remained unchanged compared to the original FoKus Apollo, the Apollo Pro remains a strong point compared to its premium wireless competitors. Noble quotes a playback time of up to 80 hours with ANC off, or up to 60 hours with ANC on. That is significantly more than the 30 to 40 hours achieved by many ANC competitors, making the Apollo Pro a practical advantage for travel, the office, or for listeners who do not want to charge every few days.

The external changes are the most striking. Noble has introduced updated fabric finishes, revised gunmetal accents, improved fabric cabling, and new materials for the ear cushions, along with more compact packaging. The Apollo Pro is available in burgundy and peacock blue, giving it a more luxurious look than typical black and silver premium ANC headphones.

Based on what Noble has shared so far, the Apollo Pro does not feel like a radical overhaul of the wireless platform. It is not presented as a dramatic step forward in terms of active noise cancellation (ANC) or smart features. The changes involve more refinement: revised tuning, improved materials, and smaller details that enhance ease of use, such as voice prompts instead of standard alert tones for important functions and mode switches. It is a small detail, but it makes the Apollo Pro feel more thoughtful than a simple specifications upgrade.

Price: $749.

The Cubitt 5, named after Cubitt Court, Fyne Audio's new headquarters and high-end product factory in Glasgow, continues the brand's technical tradition by bringing it closer to a broader and more connected audience. At its core, the Cubitt 5 is a compact and fully active loudspeaker system equipped with proprietary Fyne technologies and expertise, designed to allow a new generation of music lovers to enjoy authentic high-fidelity sound quality. The company strives to connect people with music in the simplest way possible via devices and platforms they know and appreciate. The Cubitt 5 is a significant step for the brand, combining Fyne Audio's acoustic expertise into an active, all-in-one solution in a compact monitor model.

The music signal can be supplied wirelessly or via cable. At the heart of the Cubitt 5 is Fyne Audio's latest 125-millimeter IsoFlare point-source driver, renowned for its precise stereo imaging and natural, room-wide sound. By radiating sound from a single point in room, IsoFlare creates a cohesive listening experience. This is further enhanced by FyneFlute surround technology, which reduces unwanted coloration and improves overall clarity, reproducing music accurately and balanced across a wide listening area.

The Cubitt 5 integrates amplification, crossover, and digital signal processing into the speaker system itself, with a power output of up to 240 Watts and support for high-resolution 24-bit/96kHz audio. The designers promise confident, dynamic performance without the need for external components, cables, or the complexity of hi-fi systems. The Cubitt 5 aims to make it all as simple as possible.

Bluetooth 5.0 with aptX HD and AAC is the chosen technology for the wireless connection of the Cubitt 5. Fyne states that the Bluetooth circuit has been extensively developed to guarantee the purest possible signal path to the amplification module.

For wired connections, the Cubitt 5 features a built-in high-quality phono amplifier for playing vinyl, while analog and optical digital connections provide input for all older equipment and devices in the home. Furthermore, the compact speakers can enhance the sound of a television thanks to the HDMI eARC connection.

The package is rounded off with a subwoofer output for a slight LFE boost and a handy little remote control that can be discreetly attached to the back of one of the speakers.

Fyne Audio states that the Cubitt 5 is the result of two years of research and development, aimed at encouraging a new generation of music lovers to enjoy high-quality music reproduction at home. Following Fyne's recent first steps into the world of home cinema, the Cubitt 5 demonstrates that the company strives to make its presence known as a point-sourced producer to a wider audience.

The Cubitt 5 from Fyne Audio is priced at $649 and is available in Midnight Black, Pearl Titanium, Olive Green, Pebble Grey, and Arctic White. The speakers are expected to be available from June 2026.

In the 1960s and 1970s, the various Denton loudspeakers from the British manufacturer Wharfedale were known for their natural, realistic sound from compact enclosures. During this period, various Denton models were launched, including both two-way and three-way systems, the first of which appeared in 1967.

Since 2012, Wharfedale has been paying tribute to the classic Denton line by introducing new loudspeakers inspired by the original Denton models. This series is part of the Heritage Series and is a celebration of the company's rich history of loudspeaker design, which began in Yorkshire in 1932. In the summer of 2026, a new Denton model will be added to this collection. But this model is distinctly different.

The new Denton 1S is inspired by a specific muse: the Denton 1 from 1974. In the early 1970s, new style trends increasingly made their way into the global audio market. Until then, Wharfedale’s Denton models—the original Denton from 1967 and its successors from 1971, the Denton 2 and Denton 3—had a more traditional design featuring a wood veneer. In response to this, Wharfedale’s recently revamped engineering team developed a new Denton loudspeaker that was sold alongside the other models. This loudspeaker had a fashionable, modern appearance, a lower price, and was designed for flexible placement.

The result was the Denton 1, a loudspeaker design that was far ahead of its time. It featured an unusual coaxial full-range driver with two cones on the same axis, which was beneficial for time synchronization and allowed the loudspeaker to be positioned both horizontally and vertically. Instead of the square, wood-veneer finished cabinets of other Wharfedale loudspeakers, everything was housed in a molded white polyurethane (synthetic polymer) enclosure with rounded edges. For its time, the Denton 1 was an innovative and ultra-modern compact loudspeaker, fitting the futuristic interior trends of the early 1970s.

Incidentally, the number ‘1' in the loudspeaker's name refers to the single coaxial driver, not to the chronological order of the launch. The two-way Denton 2 and the three-way Denton 3 were launched before the Denton 1 – a common source of confusion!

The Denton 1 was a bold concept in 1974, but perhaps more remarkable for its strikingly modern design than for its pure sound quality – certainly when compared to the natural warmth of the other Denton models from that era. The new Denton 1S adopts key elements of the Denton 1 – the relative dimensions, the curved cabinet edges, and the use of a coaxial driver – and delivers an entirely new design. It is a tribute to the style and philosophy of the Denton 1, but is in fact a completely different loudspeaker with significantly improved sound quality. Naturally, all components have been radically updated compared to the parts used in the 1970s.

The Denton 1S is designed for versatility. With dimensions of 330 x 236 x 229 millimeters (H x W x D), it is suitable for a wide range of environments, both at home and in the office, and delivers an immersive, full sound experience in a handy size. It is designed to be placed close to the wall and can be wall-mounted if desired. Additionally, it is suitable for placement on stands, shelves, sideboards, desks, and so on.

DA converter built on eight separate Ring DAC circuits

dCS (Data Conversion Systems) has been designing and manufacturing digital audio equipment in Cambridge since 1987. Known for its patented Ring DAC technology, dCS produces a small, focused range of source components that is regarded by the press and listeners worldwide as the reference standard for digital audio conversion.

dCS now proudly announces the MCD 16, a 16-channel DA converter built on a foundation of eight separate Ring DAC circuits. It is the company's first DA converter developed specifically for multiple channels. The MCD 16 does not deviate from dCS principles but is actually an extension of them; that is, the same discrete Ring DAC architecture that characterizes the company's stereo products is now applied to sixteen independent channels.

The product makes its public debut at High End Vienna 2026 (from June 4 to 7), where dCS, together with Trinnov Audio and Perlisten Audio, will present a joint demonstration of immersive audio. The demonstration is set up as a fully controlled listening environment in which every element of the signal chain, from decoding and conversion to loudspeaker behavior and spatial reproduction, functions with precision and consistency.

The result is a large-scale 15.8.8 immersive audio system designed not only to impress, but also to provide immersive music reproduction with exceptional stability, coherence, and realism.

Grammy Award-winning producer Justin Gray provides exclusive sessions

Throughout the exhibition, daily demonstration sessions will be held led by Grammy Award-winning producer Justin Gray. Gray, known for his groundbreaking work in immersive music production, presents and analyzes selected material in the format for which it was created. He will offer visitors a unique insight into both the creative intent and the technical reality of immersive audio at its best.

The sessions are only accessible to visitors of High End Vienna 2026, and interested parties must reserve a place in advance.

dCS MCD 16: price and delivery information

Delivery of the MCD 16 is expected to begin in the autumn of 2026. Pricing information and full technical specifications will be announced by then.

The core of the Chimera in-ear monitor (IEM) design is a nine-driver architecture combining four different driver technologies, each contributing to a different aspect of performance. This includes, among others, a newly developed 10mm True-Glass dynamic driver for low and low/mid frequencies, a dual-diaphragm balanced armature for detail in the mid-range, and two dedicated balanced armatures for high frequencies for clarity and articulation. Further into the higher frequency range are four electrostatic supertweeters, designed to add airiness and precision to the high frequencies.

For the first time in a Campfire Audio IEM, the Chimera is also equipped with a bone conduction driver, which is built directly into the CNC-machined magnesium housing. As a result, low frequencies are experienced both acoustically and physically, adding a sense of weight and impact and perfectly complementing the rest of the system.

Campfire Audio Chimera: enclosure acoustics

This configuration is supported by a series of internal acoustic elements, including a built-in airflow pressure regulator behind the dynamic driver and a “Master Track” tuning damper integrated into the nozzle in the final stage. Together with Campfire's precise acoustic routing and spatial tuning, these components ensure a balanced output across the entire frequency spectrum, while maintaining cohesion between the different driver types.

“Chimera is the most advanced in-ear monitor we have developed at Campfire to date,” says Ken Ball, founder of Campfire Audio. “It represents a new horizon in Campfire product performance and pushes the boundaries of what is possible with compact, portable audio systems. It combines a range of technologies and engineering techniques to create an experience that truly deepens the listener’s connection with music.”

Campfire Audio Chimera: exterior

The front panel is crafted from a Damascus construction of carbon fiber and brass, in which layers of brass are folded into carbon fiber and machined with a CNC machine to create a unique, pattern-rich surface. Each piece exhibits subtle variations in the finish, giving each pair a unique visual identity with a changing sheen depending on the angle of light.

Additional details include a machined brass nozzle with an integrated mesh filter, custom-made brass fasteners for reinforcement, and standard 2-pin connectors.

Campfire Audio Chimera: included accessories

The Chimera comes with a complete set of accessories, including the ALO Audio Valence-6 cable, which reintroduces the ALO Audio brand. The cable is designed to offer a new level of performance and synergy with the Chimera, featuring four conductors of high-grade copper and two conductors of 50/50 copper and silver-plated copper. The connector housing, the Y-splitter, and the chin adjuster are finished in black anodized aluminum.

Also included are the following items:

• Black leather case with zipper and built-in display
• Breezy Bag Micro mesh bag with two compartments
• Microfiber cleaning cloth
• IEM cleaning tool
• Choice of ear tips: silicone with high and transparent traction (S/M/L), standard silicone (S/M/L) and marshmallow foam (S/M/L)

Minimalist yet comprehensive preamplifier

According to the designers, the new 5510 preamplifier from British Exposure Electronics is pleasantly free of the frills that often seem to be designed to distract from the essence. Instead of relying on a touchscreen, various (control) software, or other passing trends, the British brand claims to have produced a flagship control center for serious two-channel systems, with a firm focus on technology and ease of use.

According to Exposure, the 5510 is equipped with an ultra-quiet power supply featuring a specially wound toroidal transformer and integrated hum shielding. That may not be the most attractive detail, but in practice, it is often the deciding factor. There is also a relay-controlled volume system with 99 steps, which guarantees precise channel matching and repeatable volume control, as you would expect from a device in this price range.

Extensive connection options

The 5510 offers six line inputs and features both balanced XLR and unbalanced RCA outputs, making the device easy to pair with a wide range of power amplifiers. In other words, it is a specification designed for practical systems, rather than to prove a philosophical stance on minimalism.

Optionally expandable with modules

Exposure has also opted for a modular approach, allowing buyers to add the features they are actually likely to use themselves.

There is a module for connecting a turntable with an MM or MC cartridge, and there is a separate module for those who wish to connect an optical cartridge from the Japanese DS Audio. The third module is a DAC module for connecting digital sources.

Exposure 5510: housing

The 5510 is housed in a robust aluminium casing designed to reduce resonance and protect sensitive circuits from electromagnetic interference. The manufacturer has not added any decorative elements, which is certainly a plus for enthusiasts of understated components rather than flashy ones.

Design and styling

The Vento series by Canton is characterized by a modern and refined arched shape, with softly rounded front and back. This design minimizes visible edges while simultaneously reducing potential driver diffraction. High-quality materials and precise workmanship emphasize the Vento series' ability to blend harmoniously into diverse living environments. Magnetically attached fabric grilles further contribute to a sleek, minimalist appearance.

Housing and construction

An important feature of the Canton Vento series is the advanced cabinet construction. Multilayer curved MDF structures help minimize unwanted resonances. The Canton Vento series also utilizes an advanced chamber system that decouples individual drivers from each other, promoting pure sound reproduction. Additionally, targeted internal damping is applied to control reflections and improve sound precision.

Technology, precision down to the details

The Vento series tweeter system is based on a high-quality black ceramic dome with BC technology and is designed for maximum detail reproduction. The new, specially developed square waveguide in the tweeter region ensures controlled and uniform dispersion. In the mid- and low-frequency regions, aluminum titanium black (ATB) diaphragms are used, which enable accurate signal reproduction thanks to their stiffness and low weight. This technical design contributes to the detailed and low-distortion sound reproduction of the Vento series.

The Canton Vento series is designed for a balanced and natural sound. Voices are reproduced clearly and with excellent differentiation, while instruments are presented with accurate spatial representation. In the low frequency range, a tuned bass reflex system ensures controlled pressure and clear definition. In short, the Canton Vento series offers dynamic reproduction with high fidelity across the entire frequency spectrum.

Prices and delivery information

The Canton Vento series is now available at authorized dealers, in various versions. All prices are per unit.

• Canton Vento 11, wall speaker: 650 euros
• Canton Vento 21, monitor model: 800 euros
• Canton Vento 31, monitor model: 900 euros
• Canton Vento 51, center speaker: 1,500 euros
• Canton Vento 81, floorstander: 2,000 euros
• Canton Vento 91, floorstander: 2,400 euros
• Canton Vento 101, floorstander: 3,000 euros
• Canton Vento Sub 1, subwoofer: 2,200 euros
• Canton Vento AR 1, Dolby Atmos model: 600 euros

The new lineup consists of two models — the Planar PL-1 and the larger flagship Planar PL-2 — both engineered around an ultra-slim enclosure measuring only 14.5 centimeters deep. Rather than dominating a room like a conventional floor-standing subwoofer, the Planar series is designed to mount directly on a wall or be installed flush into the environment, making it particularly appealing for minimalist living rooms, luxury media spaces, and modern home cinemas.

A Different Approach to Bass

For decades, subwoofers have largely followed the same formula: large black cubes placed somewhere on the floor, often hidden in a corner. REL believes there is a better way. The new Planar series shifts the focus toward architectural integration, allowing bass performance to become part of the room itself instead of an obvious standalone component.

The idea is not simply about aesthetics. By positioning the enclosure close to the wall, REL also takes advantage of natural boundary reinforcement to increase bass efficiency and depth despite the remarkably thin cabinet design.

Slim Design, Serious Low-End Performance

The flagship Planar PL-2 combines an 8-inch active driver with a 10-inch passive radiator mounted at the rear, giving the subwoofer the ability to dig surprisingly deep while maintaining a compact profile. According to REL, the PL-2 reaches down to an impressive 24 Hz (-6 dB), delivering the kind of low-end authority typically associated with far larger enclosures.

The smaller Planar PL-1 takes a different approach, using dual 6.5-inch active drivers alongside the same 10-inch passive radiator system. While more compact, it still promises substantial low-frequency output with extension down to 31 Hz, making it ideal for elegant two-channel systems, smaller media rooms, or installations where visual discretion is a priority.

Designed for Modern Living Spaces

Both models weigh under 23 kilograms and include a dedicated wall-mounting system engineered to maintain the precise distance needed for the passive radiator to operate correctly. REL has also developed an optional wheeled floor stand, allowing users to experiment with placement before committing to a final installation.

Wireless functionality is built directly into both models, and REL confirms compatibility with its AirShip Direct wireless transmission system. The receiver module itself is integrated into the side panel and can reportedly be upgraded in the future as wireless technology evolves — a forward-thinking touch that hints at long-term platform support rather than disposable hardware.

By their own account , the engineers at YG Acoustics dedicate themselves daily with passion and ingenuity to pushing the boundaries of sound reproduction. The laboratory is equipped with some of the world's most advanced measuring equipment for acoustics and vibrations. Thanks to advanced simulation technology and five years of detailed research into how the human ear perceives music, YG Acoustics can investigate new ideas and technologies faster and more thoroughly than ever before.

The new Ultimate series embodies this tireless spirit. After three years of dedicated development, the company proudly presents the Titan, the most ambitious loudspeaker YG Acoustics has ever made. Titan is designed not only to showcase our latest innovations, but also to connect listeners deeply and intimately with their music, exceed expectations, and create experiences filled with genuine emotion.

Drivers

The Titan loudspeaker stands over two meters tall and features a precisely positioned, symmetrical arrangement of seven drivers, supported by a specially designed subwoofer. The revolutionary proprietary grid tweeter is supported by patented 15 cm YG midrange drivers with an aluminum cone, an 18 cm midbass driver, and a 26 cm bass driver, each positioned in a pair above and below the tweeter. Simulations and extensive listening tests have demonstrated the extraordinary benefits of a carefully designed symmetrical arrangement. This configuration is supported by a custom-made 32 cm YG subbass driver with an aluminum cone and a solid magnet structure. Each driver is precisely phase-aligned with its neighbors across a wide frequency range, guaranteeing an authentic point-source listening experience.

This approach offers exceptional sound quality, realistic reproduction, and a remarkably flexible listening environment, placing the listener at the center of the music, whether in whisper mode or at concert volume.

Large and heavy enclosure

The Titan's enclosure is a further illustration of the manufacturer's self-proclaimed obsessive attention to detail. With a five-layer construction—that is, three layers of special aluminum alloys, each separated by precisely designed damping materials—the cabinet achieves extraordinary rigidity and resonance control. The front panels are crafted from solid, 75 mm thick aerospace-grade aluminum, heat-treated to optimize their crystalline structure and then precision-machined to a tolerance of a thousandth of a millimeter. Internally, advanced bracing, composite resin damping, and strategically placed, computer-optimized diffuser/absorber structures ensure that the drivers perform flawlessly. The cabinet weighs over 450 kilograms, so positioning and moving it is quite a challenge.

The design of the crossover is a true testament to the art and science of loudspeaker engineering. It is built with the very best available components on a specially developed multilayer printed circuit board material featuring advanced dielectric properties and internal resonance damping. Each crossover circuit is precision-milled in-house from extra-thick, very pure copper, with the traces optimized through simulation to eliminate interference and distortion. The crossover itself is externally housed in an elegant enclosure manufactured entirely from a specially selected polymer material, preventing any field interaction with the crossover signal.

Apart from the technical perfection, the true value of Titan is the profound impression it makes. Every innovation, every precise processing step, every carefully selected component – ​​these are merely means to an end: the purest, most immersive musical experience imaginable.

YG Acoustics Titan: three different versions

• Titan Passive: a fully passive five-way loudspeaker configuration with eight drivers and an external crossover, suitable for one to five amplification channels per loudspeaker.
• Titan Active Sub: combines a fully passive four-way system with a dedicated external 1 kW amplifier for sub-bass frequencies, carefully phase- and time-tuned to blend seamlessly with the passive drivers, and supports one to four amplification channels per speaker.
• Titan Live: a fully integrated audio solution, where each channel is equipped with an external audiophile amplifier and an advanced DSP crossover, all connected to the Live Controller via fiber optics. This offers Roon-Ready streaming combined with extensive digital and analog connectivity.

We can report that we have seen prices listed, depending on the version, between approximately 900,000 and 1,000,000 dollars.

Oh yes, reportedly there is also a gilded version available that will cost approximately 2 million dollars, depending on the thickness of the applied gold layer. Isn't that beautiful?

Jamo Concert Legacy

According to the designers, Concert Legacy is Jamo's demonstration of the very best in Scandinavian hi-fi. Positioned as the brand's premier premium passive loudspeaker line, it represents, by the company, not only a revival of past successes but also a further development of one of Jamo's most acclaimed series.

The core of Concert Legacy is based on a simple idea: what would the original Concert series look like today if it had been continuously developed over the past thirty years? Instead of adopting old designs, the new range continues the ideas that characterized the original Concert 8 and Concert 11 loudspeakers, introduced in 1996, naturally in a technically modernized form.

The Concert Legacy, made in Denmark, is the result of long-standing Scandinavian collaborations. The drivers are developed in partnership with driver manufacturers Scan-Speak in Denmark and SEAS in Norway, while the woofers are crafted from Finnish wood fibers. This integration ensures that design, engineering, and production all contribute to the mission of making audiophiles think of the signature Jamo sound.

Technically, the series combines controlled low-frequency reproduction, an open midrange, and clear highs thanks to well-considered design choices. The Jamo DualCore architecture physically isolates the midrange and bass chambers to maintain clarity as low-frequency energy increases. The downward-facing bass driver allows for flexible room placement while retaining the sleek design.

The range is led by the floor-standing Legacy 11. In addition, the slightly smaller, also floor-standing Legacy 9 offers a fully developed compact floor-standing loudspeaker, while the Legacy 8 brings the same acoustics to a monitor model.

Jamo Concert Element

The Concert Element family comprises the Element 50, Element 70, and Element 90, supported by the SW10 subwoofer. The Concert Element product line can be seen as Jamo's purest form of Danish functional design and was developed in collaboration with the Copenhagen-based studio HarritSørensen. This is immediately apparent in the series' distinctive “circle over rectangle” design. Instead of hiding the driver within the enclosure, the circular driver module protrudes outwards, thus forming both the acoustic and visual centerpiece of the design. The result is a loudspeaker that is visually striking, modern, and appealing to a wider audience of music lovers.

Thanks to the shallow enclosure and minimalist finish, the speakers fit seamlessly into any interior. The Element 50 is a true bookshelf model (as opposed to a floor-standing speaker) that fits perfectly on a standard bookshelf while simultaneously delivering excellent hi-fi performance.

Developed in collaboration with SB Acoustics, the loudspeakers utilize specially designed drivers tuned to the volume of each cabinet. The downward-facing bass ports increase placement flexibility, while the time-synchronized positioning of the tweeter ensures accuracy. In floorstanding models, the dual-chamber construction separates the bass and midrange, with the ‘internal logic' visible on the outside in the series' distinctive Horizon Line.

The fabric covering is part of the product language and enables the speaker to switch between a softer, homey look and a more robust, technical design. Optional fabrics from Gabriel of Denmark add extra Scandinavian color and style.

Prices and delivery information

Both series will become available for delivery in the course of August 2026.

Jamo Concert Legacy 11: 9,000 euros per pair
Jamo Concert Legacy 9: 5,500 euros per pair
Jamo Concert Legacy 8: 3,300 euros per pair
Jamo Concert Element 90: 2,600 euros per pair
Jamo Concert Element 70: 2,000 euros per pair
Jamo Concert Element 50: 1,160 euros per pair
Jamo Concert Element SW10: 730 euros each

With Primacy, the company is now targeting the ultra high-end residential market with a fully integrated ecosystem built around active speaker technology, advanced DSP processing, network audio, and room optimization.

A Fully Active High-End Loudspeaker Platform

The new Primacy lineup launches with two loudspeaker models: the flagship Primacy T6 floorstanding speaker and the more compact Primacy S3 bookshelf model. Both systems are fully active designs, meaning every driver has its own dedicated amplifier channel and digital crossover management for precise control and optimized performance.

The larger T6 is a three-way floorstander created for full-range reference listening in larger spaces, while the S3 adopts a more compact two-way configuration intended for smaller listening rooms or high-end bookshelf installations.

According to Garmin, both speaker systems utilize 32-bit/192 kHz digital signal processing throughout the signal path, allowing extensive tuning and crossover optimization far beyond what is typically possible with passive loudspeaker systems. The active architecture also enables tighter integration between amplification and drivers, reducing distortion while improving timing accuracy and dynamic control.

Luxury Design With Interchangeable Finishes

Rather than focusing purely on technical performance, Garmin appears equally invested in making the Primacy systems blend naturally into modern interiors. Both speaker models feature interchangeable side panels and finish options designed to complement different living spaces and design styles.

The visual direction leans more toward luxury furniture than traditional hi-fi equipment, positioning the Primacy series as a lifestyle-oriented high-end system without abandoning audiophile ambitions.

The Primacy CS: Streaming Hub and System Brain

At the center of the ecosystem sits the Primacy CS Stereo Centerpiece — a combined network streamer, preamplifier, and system controller designed to manage the entire Primacy platform.

The unit integrates Garmin’s new PARO (Primacy Automatic Room Optimization) technology, which analyzes room acoustics and automatically adjusts playback characteristics to better match the listening environment. The concept follows the growing trend of advanced room correction systems becoming essential in modern high-end audio setups.

Connectivity between Primacy components is handled through Dante network audio technology, enabling high-resolution digital signal transmission across the system with low latency and precise synchronization.

Streaming support includes Spotify Connect, TIDAL Connect, Apple AirPlay, and Google Cast, allowing the system to integrate seamlessly with both audiophile and mainstream streaming platforms.

Users can control the system either through the dedicated Primacy mobile app or via a wireless desktop controller featuring physical volume adjustment and touch-sensitive controls.

Pricing Places Primacy Among Audio’s Elite

Garmin is clearly aiming at the top tier of the high-end market with pricing that places Primacy alongside some of the most exclusive active loudspeaker systems currently available.

The JL Audio Primacy T6 floorstanding speakers are priced at $90,000 per pair, while the Primacy S3 bookshelf speakers cost $35,000 per pair. Dedicated stands for the S3 add an additional $3,500.

The Primacy CS Stereo Centerpiece carries a standalone price of $15,000.

With Primacy, Garmin and JL Audio are making it clear that their ambitions now extend far beyond marine and automotive audio — and directly into the world of luxury high-performance home listening.

The Marantz AV 30 is not just another surround processor built to handle modern home cinema formats. It is a serious high-end component created for listeners who want their movie system to sound as refined and emotionally engaging as a dedicated two-channel hi-fi setup. Marantz has long been known for combining technical precision with musical warmth, and the AV 30 continues that tradition with remarkable confidence.

Powerful 11.4-Channel Performance

Built as an 11.4-channel surround preamplifier and processor, the AV 30 is designed to become the centerpiece of an ambitious home theater. Pair it with the matching Marantz AMP 20 or Marantz AMP 30 power amplifiers and you get a system capable of delivering enormous scale, cinematic impact, and surprisingly delicate musical detail. It may not offer the extreme channel counts of Marantz’s larger flagship processors, but for setups up to 7.4.4, the AV 30 already feels exceptionally complete.

Premium Design and Japanese Craftsmanship

From the moment you unpack it, the AV 30 immediately gives the impression of a luxury component. The aluminum chassis feels immensely solid, while the signature Marantz porthole display and softly illuminated front panel create a sophisticated appearance that stands apart from the usual industrial-looking AV equipment. Hidden behind the elegant front flap are the secondary controls and main display, maintaining the clean minimalist design Marantz has become famous for.

Everything about the construction radiates quality and attention to detail. The AV 30 is built at Marantz’s own factory in Japan, and it feels every bit like a premium flagship component designed for years of serious use.

The Classic Marantz Sound Signature

Internally, the AV 30 shares much of its architecture with Marantz’s more expensive processors. The engineering focus here is not simply on decoding formats, but on preserving signal purity and maintaining the emotional character of the performance. Marantz’s proprietary HDAM-SA2 circuitry plays a major role in shaping the sound, replacing conventional op-amp solutions with carefully tuned discrete amplifier modules that deliver lower distortion, faster response, and greater dynamic expression.

The result is a presentation that feels effortlessly natural. Movie soundtracks gain a sense of weight and realism without becoming aggressive, while music playback reveals an unexpectedly refined and organic character for a surround processor. Voices sound smooth and lifelike, instruments carry convincing texture, and large orchestral or cinematic passages maintain composure even at demanding volume levels.

Outstanding Cinema Performance

The AV 30 excels when handling large-scale movie soundtracks. Surround steering is exceptionally precise, allowing effects to move fluidly around the room while maintaining a cohesive and believable soundstage. Explosive action scenes carry real authority, yet quieter moments remain detailed and emotionally engaging.

Bass performance is equally impressive. Combined with quality amplification and properly integrated subwoofers, the processor creates a deep and controlled low-frequency foundation that adds cinematic scale without overwhelming the listening room.

Extensive Configuration Possibilities

For advanced users, the AV 30 offers an enormous amount of flexibility. The processor supports extensive speaker configuration options and includes compatibility with Dirac Live room correction, allowing systems to be tuned with remarkable precision to suit virtually any listening environment.

Whether you are building a dedicated cinema room or a premium living room installation, the AV 30 provides enough connectivity and customization to satisfy even demanding enthusiasts. Built-in HEOS streaming support also transforms the processor into a capable music hub with access to streaming services, internet radio, and multi-room playback.

Audiophile Features Beyond Home Cinema

Unlike many surround processors that focus purely on cinema performance, the AV 30 places genuine emphasis on music reproduction. The ESS Sabre DAC implementation delivers excellent resolution and low noise, while selectable digital filter modes allow listeners to fine-tune the presentation according to personal preference.

Even the built-in phono stage benefits from Marantz’s HDAM technology, making the AV 30 surprisingly capable as part of a serious vinyl setup. This flexibility helps separate it from competitors that often treat stereo playback as a secondary priority.

Conclusion

The Marantz AV 30 is a surround processor for enthusiasts who want far more than technical specifications and channel counts. It combines luxurious build quality, advanced processing, exceptional flexibility, and a deeply musical sound signature into one beautifully engineered component.

For listeners who value both cinema impact and audiophile refinement, the AV 30 stands as one of the most complete and emotionally engaging surround processors available today.

The models are intended for both music and home cinema. The company therefore also builds center speakers, for example in the F500S series, and recessed ceiling speakers from the FA300iC and FA500iC product lines. Yes, the company also builds classic floorstanding speakers and models with a vintage look, such as the retro-inspired Vintage Classic VIII and Vintage Five.

As the name suggests, the new Home Theatre Monitor series is much more direct in design, featuring two new speaker designs and a subwoofer that, according to the manufacturer, are specifically designed for high-end home cinemas and with a clear focus on the professional installation market. The series is launching with three models: the F708™ and F712™ speakers, complemented by an F7-12™ subwoofer. The speakers make optimal use of Fyne's patented IsoFlare point-source driver technology, which, according to the manufacturer, ensures coherent sound dispersion, accurate dialogue intelligibility, and consistent performance across a wide seating area. This is an attractive feature for those looking to set up a complete home cinema.

Specifications are still somewhat scarce, but we know that the F708™ is equipped with an 8-inch IsoFlare driver with a stated peak power of 117 dB, which, according to the designers, makes it suitable for medium-sized, professional home theater rooms. The F712™ features a 12-inch driver and a peak power of 126 dB, better suited for larger rooms that require more scale, authority, and reference-class sound pressure. The passive subwoofer F7-12™ is also equipped with a 12-inch driver and a peak power of 126 dB, allowing it to integrate seamlessly with the main monitors and enhance low-frequency performance with power and control.

Fyne Audio highlights the ability to position the speakers behind fabric walls and acoustically transparent cinema screens as part of their visually unobtrusive flexibility. Both wall and ceiling mounting are possible, in accordance with current industry standards. The models feature multiple M10 threaded points for secure suspension where necessary and VESA-compatible M8 inserts for wall mounting in both portrait and landscape positions, depending on the room. They are also equipped with an integrated cable management system on the rear for a sleek fit against the wall.

The Fyne Audio Home Theatre Monitor series makes its debut at the Smart Home Expo 2026 in Mumbai, India. Fyne indicates that the series will also be rolled out internationally following its introduction in India, as part of their growing commitment to the Indian market for custom installations and high-end residential audio systems. Further details regarding local availability and specific system configurations will be announced closer to the launch. Delivery is expected to start in July or August, followed by other international markets.

Rumors are circulating about a price of 1,100 euros for the F708™ speakers, 1,950 euros for the F712™ speakers, and 1,450 euros for the F7-12™ subwoofer.

The Bravo Collection is, by its own account, born from the Lorenzo Audio Labs design team's obsession with pushing the boundaries of high-quality sound reproduction. With the earlier Classic Collection loudspeakers, the manufacturer achieved unprecedented realism and emotion in music reproduction. According to the designers, they worked tirelessly to raise the bar even higher and offer a new level of sound quality as was never before possible.

To achieve this, the manufacturer has developed its own working methodology called the “Resonance Optimization System” (ROS). This methodology is based on the analysis, evaluation, measurement, and optimization of the resonances occurring within the wooden speaker enclosures, and the proper way to utilize them to enrich the listening experience of Lorenzo Audio speakers. The enclosures, bass reflex ports, and accessories are made from tonewoods of varying thicknesses to make optimal use of their resonances, thereby naturally enriching the music reproduction and providing unparalleled listening pleasure.

“At Lorenzo Audio, we design and perfect our loudspeakers as if they were musical instruments. We achieve an unparalleled level of realism and detail, without hearing fatigue, and with dynamics, pleasure, and emotion,” says Lorenzo Audio Labs.

Cabinet construction and materials

The loudspeaker and the accompanying stand are made of 21 mm phenolic plywood, with additional Panzerholz components at key structural locations. The enclosure is finished with a natural wood veneer, where elements such as the front bass reflex port are crafted from tonewood and finished using traditional guitar-making techniques, including marquetry and shellac polishing.

Drivers and crossover

The two-way system features a 7.5-inch carbon fiber woofer and a 3/4-inch soft dome tweeter. The crossover filter is hand-soldered without a printed circuit board and is built into the included stand. The components are sourced from manufacturers such as Duelund, Mundorf, Jantzen, and Pathaudio, and the internal wiring is made of high-quality copper.

The Lorenzo Audio The Essence has a stated sensitivity of 88 dB and a nominal impedance of 8 Ohms. The stated frequency range extends from 33 Hz to 25 kHz, with a recommended amplifier power between 30 and 300 Watts. Each speaker, including the stand, is 111 centimeters tall and weighs 25 kilograms. The manufacturer offers various finishes.

Lorenzo Audio has confirmed that there are plans for more models in the Bravo Collection, and that more announcements are expected soon. The company will also present its products at High End Vienna 2026.